摘要
南音存在方式可以从馆阁格局、传承格局与功能形态三个维度考察。当代南音馆阁呈现为“晋江格局”;馆阁是南音文化存在与传承的轴心;当代南音馆阁的三大功能即“茶馆”“教室”与“基地”。基于此,南音形成了自己的存在方式与文化生态,当代南音的传承与发展以此为基础形成了富有活力的有序架构。
The existence of Nanyin(traditional music in Minnan region)can be examined from three dimensions:the layout of the pavilion,the inheritance pattern,and the functional form.The contemporary Nanyin pavilions present a“Jinjiang pattern”with these pavilions as the axis of the existence and inheritance of Nanyin culture;the three major functions of contemporary Nanyin pavilions are“tea house”,“classroom”,and“base”.Based on this,Nanyin has formed its own way of existence and cultural ecology,and thus the inheritance and development of contemporary Nanyin have formed a dynamic and orderly structure.
作者
陈孝余
王琼
CHEN Xiaoyu;WANG Qiong(School of Art,Zhejiang Normal University,Jinhua,Zhejiang 321004,China;School of Media and Art Design,Guilin University of Aerospace Technology,Guilin,Guangxi 541004,China)
出处
《贵州大学学报(艺术版)》
2023年第6期93-102,共10页
Journal of Guizhou University Art Edition
基金
教育部哲学社会科学研究后期资助项目“南音馆阁形态研究”(项目编号:22JHQ047)。
关键词
当代南音
存在方式
格局
功能
contemporary Nanyin(traditional music in Minnan region)
existence mode
pattern
function