摘要
在公共艺术理论体系的构建过程中,从围绕艺术作品和艺术家,过渡到对公共开放空间的重视,再到对公众本身进行的理论关注与投射,经历了一个循序渐进的过程。本文尝试对艺术实践活动中的对公众的关注、对非专业性质的参与者的关注转向进行理论溯源,并对以此延伸出的艺术实践进行探究。
This paper explores the evolving theoretical framework of public art,which has transitioned from its initial focus on artistic creations and artists to encompass public open spaces and,most recently,a deep interest in the public itself.By tracing the theoretical origins of this shift in focus from the public's role in artistic practice to the engagement of non-professional participants,this study aims to shed light on the resulting art practices that have emerged from this perspective.
出处
《北京文化创意》
2023年第5期79-83,共5页
Beijing Culture Creativity
基金
重庆市教委人文社科项目(项目编号22SKGH135)阶段性成果
重庆邮电大学引进人才基金项目(项目编号E012K2021179)阶段性成果。