论汪绂《山海经存》的图文关系

The Picture-Text Relationship in The Existence of Shanhai Classics Written by Wang Fu

《山海经存》是清代徽州学者汪绂的著作之一。汪绂对《山海经》既注释又绘图,形成了经文、注释、图像三位一体的阐释体系,图文互释与图文缝隙并存。《山海经存》以图像再现经文,对经文进行夸张和强化,同时以“文字入画”,形成“语图唱和”的图文互释关系。由于画家的主观“填补”,以及画家对图像和语言这两种符号的不同认知,使图像与经文、注释之间存在图文缝隙。这种图文缝隙并不会减弱图文互释的效果,反而与图文互释形成一种复杂的张力关系,从而带来阅读增殖。

The Existence of Shanhai Classics is one of the works of Wang Fu,a scholar in Huizhou in the Qing Dynasty.He annotated the book and drew pictures for it,and formed a triad explanatory system of original text,annotations and pictures,with mutual interpretation and gap between the image and text coexisting.The pictures in the book reflect the scripture by exaggeration and reinforcement and form mutual interpretation of text and image with“texts into pictures”and“harmony between image and language”.Meanwhile,due to the subjective“filling”of the author as well as his cognition of the two different symbols,there are gaps between the image,scripture and annotations.However,the gap does not weaken the effect of the mutual interpretation of text and image,but forms a complex tension relationship among the three factors and thus brings reading proliferation.