当代藏族汉语诗歌审美境界论

Chinese Poetry's Aesthetic Realm of Contemporary Tibetan Poets

藏族汉语诗人用充满民族印记、展示藏地风貌并饱含生命内蕴的诗,表达艺术世界动静二元同一无碍的和谐美满,在审美范畴内融汉藏文化传统理趣与积淀,呈现现量境界、直觉境界、乐受境界和圆融境界等诗学特点,富含中华传统文化内涵又颇具现代精神的艺术创作特色,充分表现藏族诗人现实生活的哲思妙悟和对人内在精神境界的审美追求。在挖掘中华优秀传统文化滋养当代文艺创作的时代背景下,藏族汉语诗歌独有的民族文化内涵,为现代汉语自由体诗歌创造新的美学境界,开辟与提升现代汉语诗歌美学边界与审美空间,是超越语言和文化疆域束缚的艺术创造。

Tibetan poets who writes in Chinese use poems with national imprints,Tibetan sceneries,and the inner meaning of life to communicate the harmony and beauty of the universe of art,in which the dynamic and static are the same and unhindered.Within the field of aesthetics,the poems are distinguished by a fusion of tradition⁃al Chinese and Tibetan culture,displaying poetic qualities such as the realm of the present,the realm of the intu⁃itive,the realm of the receptive,and the world of integration.It fully communicates philosophical insights into the real existence of Tibetan poets and their aesthetic search for the inner spiritual realm of human beings,and it is rich in traditional cultural implications and defined by modern artistic production.Under the background of mining the excellent traditional Chinese culture to nourish contemporary literary creation,the unique national cultural connotation of Tibetan Chinese poetry creates a new aesthetic realm for modern Chinese free-form poet⁃ry and opens and enhances the aesthetic boundaries and aesthetic space of the modern Chinese poetry,which is an artistic creation that transcends the boundaries of language and culture.