摘要
以安徽省祁门县闪里镇桃源村为例,从其风貌构成内容着手,通过解析具有代表性的古今名家名作,探寻山水画作在人居全景、风貌节点与精神世界上的表现;以与自然相和谐的人居观为指导,在山水画特有的视线组织下,突出传统村落风貌要素的“原真性”和“完整性”,以最少干预下的微更新和地方性作为特色传承,提出传统村落风貌保护与发展中山水画境重塑的框架,并在此基础上拓展多场景呈现与数字平台展示;最后,从风貌核心内容管控、传统技艺应用、乡土文化呈现和多层面感知路径等方面,尝试重塑和管控富有地方人文与自然特色的传统村落风貌。
This research takes Taoyuan Village,located in Shanli Town of Qimen County in Anhui Province,as an empirical case,starting from the feature composition,with the help of the analysis of representative ancient and modern masterpieces,to explore the performance of master landscape paintings in the panorama of human settlements,features nodes and spiritual world.Guided by the concept of living in harmony with nature and the unique sight organization of landscape painting,this paper proposes to emphasize the"authenticity"and"integrity"of traditional village features,with minimal intervention of micro renewal and local heritage as the characteristics,puts forward a framework of landscape painting reconstruction for the protection and development of features,and expands multi-scenario presentation and digital platform display on this basis.Finally,this paper tries to reshape and control the traditional village features from the aspects of core control of features,application of traditional skills,presentation of local culture and multi-level perception path.
出处
《上海城市规划》
北大核心
2023年第5期57-64,共8页
Shanghai Urban Planning Review
关键词
传统村落风貌
山水画境
视线组织
人居
桃源村
traditional village features
landscape painting scene
sight organization
human settlements
Taoyuan Village