论仓桥由美子前期文学创作的几个特征

On Several Characteristics of Yumiko Kurahashi’s Early Literary Creation

仓桥由美子是日本女性作家中第一个尝试存在主义创作手法的作家。她的前期文学受萨特、波伏娃和加缪的存在主义影响,在《党派》等作品中进行了存在主义创作实践。同时,仓桥由美子的部分前期作品也体现了她受波伏娃女性主义思想的影响。她的创作有很多前卫要素,为日本女性文学摆脱传统私小说开辟了一条道路。本文通过分析仓桥由美子作品中的存在主义、女性主义、前卫创作方法三种不同的创作特点,以期探寻仓桥由美子前期文学有别于日本传统女性文学之处。

Yumiko Kurahashi was the first Japanese female writer to attempt existentialist creative techniques.Her early literature was influenced by the existentialism of Sartre,Beauvoir,and Camus,and she practiced existentialism in works such as The Party.At the same time,some of Yumiko Kurahashi’s early works also reflect the factors influenced by Beauvoir’s feminism.There are many avant-garde elements in her creations which pave the way for Japanese women’s literature to break away from traditional private novels.This article analyzes the three different creative characteristics of Yumiko Kurahashi’s existentialism,feminism,and avant-garde creative methods,in order to explore the differences between Yumiko Kurahashi’s early literature and traditional Japanese female literature.