乡土怀旧、诗人手艺与语言符号的空心化

Rural Nostalgia,Poet’s Craftsmanship and the Hollowing of Language Symbols

传统的乡土记忆不断被改写,当代文学充盈着文化自信走向世界,最后仅留剩本土经验不断消逝的背影。乡土联结作家所向往的生活意义的源头,技艺膨胀的同时记忆却正在消退,作家对乡土经验的书写不同层面地流露出一种心理的焦灼与失落,当代诗歌的乡土经验写作愈来愈面临语言空心化的危险。文章从技艺与范式的角度,结合文本阐释当代诗歌乡土经验写作面临的困厄,论及乡土经验写作中主体的自我呈现与精神对话。乡土不断被解构和辨认,当代社会的知识结构和思维方式仍然拘囿于传统的城乡二元体制而未能拓展足够开放的格局,诗人的手艺愈是精致,丢失质料和痛感的乡土经验写作愈是加深了与当代社会思想的隔膜。

The traditional rural memories are constantly being rewritten,and the contemporary literature is filled with cultural confidence and heading towards the world,leaving only a trace of the disappearance of local experiences.The rural places connect the source of the meaning of life the writer yearns for.The memories fade away as the art expands,and the writer’s writing about the rural experience reveals psychological anxiety and loss at different levels.The writing of rural experiences in contemporary poetry is increasingly facing the danger of language hollowing out.This paper explains the crisis faced by contemporary poetry writing on local experiences from the perspectives of skills and paradigms,combined with the text,and discusses the self-presentation and spiritual dialogue of the subject in local experience writing.The rural place is constantly deconstructed and re-recognized,and the knowledge structure and mode of thinking in contemporary society are still confined to the traditional urban-rural dualism,failing to expand enough to open up the pattern.The more exquisite the poet’s craftsmanship,the more profound the gap between the loss of materials and pain in writing local experience and contemporary social thought.