文化认同视域下田汉新编历史剧的独特价值论析

On the Unique Value of Tian Han's New Historical Drama from the Perspective of Cultural Identity

田汉创作的新编历史剧《关汉卿》《文成公主》《谢瑶环》等,是其历史题材戏剧的巅峰之作。以往学界习惯从政治与时代视角切入研究,考察艺术与社会政治的外部关系及其深层互动,实际上无形中遮蔽了作品的内在意蕴与文化价值。从文化认同视角研究田汉新编历史剧,不但可以消除文学史、戏剧史对田汉新编历史剧的偏见,而且也为重新审视戏剧的历史价值与艺术地位开启全新的大门。田汉新编历史剧不但在传统文化的现代转化方面成就卓著,而且因其诗人气质投射进剧作中显得独树一帜,为中国当代剧作家主体意识的构建树立了典范。

Tian Han's newly compiled historical plays Guan Hanqing,Princess Wencheng and Xie Yaohuan,which were created in 17 years,are undoubtedly the pinnacle of historical dramas.In the past,people used to study them from the perspective of politics and the times,virtually obscuring the cultural value of the works.The study of Tian Han's new historical plays from the perspective of cultural identity can not only eliminate the prejudice of literary history against Tian Han's new historical plays,but also open a new door for us to re-examine the value and status of the seventeen year literature.Tian Han's new historical plays have not only made outstanding achievements in the modern transformation of traditional culture,but also become unique because their poetic temperament is projected into the protagonists of the works,setting a new example for the independence and self-consciousness of the subject consciousness of contemporary Chinese literary writers.