摘要
张朝钢琴独奏曲《努玛阿美》所呈现出的鲜明的民族性、独特性及诗情画意的色彩、令人神往的韵律,给中国钢琴家们带来了焕然一新的感受。此曲目将中国传统五声调式与西方作曲技法充分结合,立足自己民族文化,吸收传统音乐的营养,吸纳不同国家的音乐元素融为一体,这是对中国优秀钢琴曲创作的一种有益的启示,也是今后钢琴曲创作和发展的必然选择。
Zhang Chao piano solo Numa May presented the distinctive nationality and uniqueness,and the poetic color and fascinating rhythm,to the Chinese pianists brought a new feeling.It fully combines the traditional Chinese pentatonic style with the western composition techniques,based on its own national culture,absorbs the nutrition of traditional music and absorbs the musical elements of different countries,which is a beneficial inspiration for the creation of Chinese excellent piano music,and also an inevitable choice for the creation and development of piano music in the future.
作者
张三未
ZHANG San-wei(Piano Department Shenyang Conservatory of Music,Shenyang 110000,China)
出处
《赤峰学院学报(哲学社会科学版)》
2023年第11期55-58,共4页
Journal of Chifeng University:Philosophy and Social Science Chinese Edition
基金
2021年度辽宁省普通高等教育本科教学改革研究一般项目:“双减”政策下辽宁省高校音乐教育改革实践研究(辽教办〔2021〕245号4-8)。