黄檗高僧肖像画的源流与发展——以明末清初的福建地区为中心

The Origin and Development of the Portrait Painting of Eminent Monks of Huangbo Sect:Centered on Fujian Province in the Late Ming and Early Qing Dynasties

日本黄檗宗自福建地区临济禅宗演变而来,与中国文化联系很紧密。本文将黄檗派传入日本的演变过程按时间线索分为三个阶段,通过对黄檗高僧肖像画的构图、艺术特征、在佛教仪式中所起作用的分析,以及与同时期福建地区明清肖像画的对比分析,力图还原黄檗高僧肖像画东传日本的传播路线与发展背景,并分析归纳明末清初福建地区艺术文化对日本佛教艺术的影响。

The Japanese Huangbo sect evolved from the Linji sect in Fujian Province and is closely related to the Chinese culture.In this paper,the evolution process of Huangbo sect's introduction into Japan is divided into three stages according to time clues.Through the analysis of the composition,artistic characteristics and the role played in Buddhist rituals of the portraits of the eminent monk,as well as the comparative analysis of the portraits of the Ming and Qing Dynasties in Fujian Province in the same period,try to restore the transmission route and development background of the portraits of the eminent monk of Huangbo sect's eastward spread to Japan,and analyzes and summarizes the influence of the art and culture of Fujian Province in the late Ming and early Qing Dynasties on Japanese Buddhist art.