大别山红色电影馆文化资本再生产的人类学阐释

An Anthropological Interpretation of the Reproduction of Cultural Capital at the Dabie Mountain Red Film Museum

大别山红色电影馆是将红色电影资本进行经济资本的积累,之后将社会资本转换成文化资本,在特定的文化场馆中“展演”。红色电影是具有特定文化意涵的电影文本,其中具备表现的精神和身体的持久“性情”,红色电影具有持续的“革命”和“斗争”的文化“性情”。作为一种文化实体,它与所依托的地理、人文环境相互依托,形成自身独特的制度、客观和具体形态。焦虑和缺乏信任是现代社会的集体症候,接近红色电影的内在动机源于社会对稳定和信任的期望。

The Dabie Mountain Red Film Museum is a form of"exhibition"in a specific cultural venue after accumulating the red film capital for economic capital.The red film is a film text with a specific cultural meaning,which embodies the spirit and the lasting"temperament"of the body.Red movies show the continuous culture of"revolution"and"struggle".As a cultural entity,it depends on its geographical and human environment,forming its own unique system,objective and specific form.Anxiety and lack of trust are collective symptoms of modern society,and therefore the internal motivation close to red movies originated from society's expectations of stability and trust.