摘要
在河北省石家庄市毗卢寺正殿内的“主病鬼王五瘟使者”图,不但图像保存完整,而且“瘟神”形象设定夸张,造型生动,富有情态;绘画手法细腻考究,颜色对比强烈亦不失协调,在“五瘟使者”图像研究中具有典范式意义。“五瘟使者”图像内涵丰富,蕴含着人兽复合形象的心理逻辑、民间生活经验的现实观照以及心灵慰藉、道德审判、凝聚整合的社会功能。
The picture of“Lord of Disease,Ghost King,and Five Plague Messengers”in the main hall of Pilu Temple,Shijiazhuang City,Hebei Province,is well preserved.At the same time,the exaggeratedly designed image of the plagues is not only vivid but full of modality as well.It is regarded as a model of“Five Pestilence Messengers”painting study for its delicate and exquisite painting technique,strong but harmonious contrast of colors,which contains rich connotations of the psychological logic of the composite image of man and animals,the realistic observation of folk life experience,and the social functions of spiritual comfort,moral judgment,cohesion and integration.
作者
赵杨
武世华
ZHAO Yang;WU Shihua(School of Fine Arts and Design,Yangzhou University,Yangzhou,Jiangsu 225009,China)
出处
《衡水学院学报》
2023年第6期102-106,共5页
Journal of Hengshui University
基金
江苏高校哲学社会科学研究一般项目(2022SJB0035)。
关键词
毗卢寺
水陆壁画
“五瘟使者”图像
Pilu Temple
mural paintings
image of“Five Pestilence Messengers”