现代新诗用典实践与文体建构

The Practice and Stylistic Construction of the Use of Allusions in Modern New Poetry

现代新诗的典故书写从知识与技艺的层面,对诗歌语言的言述能力与诗歌结构的自足性提出新的要求,在关涉和指称诗歌典故的原初语境和源头印迹的同时,还需切实致力于构建一种相互敞开而又彼此应和的诗学对话关系。新诗用典的诗学技艺通过语言的指称与结构的自足,在与现代思想文化互动交流的过程中,为既有的史事和语典重新激发语言活力,并持续地展开一种精神向度的自我辨认和文化省思。语言的内核被重新打开,现代新诗的用典实践期待一种更为成熟而正派的诗学旨趣,以及更为自足的实体和智性的空间,进而真正拓宽现代汉语诗性言说和新诗文体建构的思维视野。

Through linguistic reference and structural self-sufficiency,the poetic technique of using allusions in new poetry has re-invigorated the language of existing historical events and allusions,and has continued to carry out a kind of spiritual self-recognition and cultural introspection in the process of interacting and exchanging with modern thought and culture.The inner core of language has been reopened,and the practice of using allusions in modern new poetry is looking forward to a more mature and decent poetic interest,as well as a more self-contained entity and intellectual space,so as to truly broaden the thinking horizon of poetic discourse in modern Chinese language and the construction of new poetic styles in new poetry.