摘要
“非虚构”研究热潮引起的争论远多于共识,对作者意图与实践的强调远多于对文本形式的剖析,概念使用的意义边界也存在重叠与矛盾。作为非虚构写作的产物,非虚构文学又卷入了真实与虚构辨析的诗学传统,其形式特征与文本内容又牵扯出作者、读者与文化的复杂关联。本文认为,非虚构文学的成立有赖于四个层面的共同作用:文本内,作者与叙述者的合一;伴随文本,副文本与型文本的合拍;从文本到文化,文本自携元语言与语境元语言的合力;文本外,作者与读者的合谋。由此,“非虚构”作为一种文化形式,需要首先回到文本形式特征的辨析,进而才能明晰文本之外的主体与文化如何发挥作用。
The upsurge of“non--fiction”research has caused more controversy than consensus.The emphasis on the author's in-tention and practice is much more than the analysis of the text form.The meaning boundary of is concept use also exists overlap and contradiction.As the product of non fiction writing,non-fiction literature is involved in the poetic tradition of distinguishing be-tween truth and fetion,and its formal features and text content involve the complex relationship between author,reader and culture.This paper argues that the establishment of non-fiction depends on the joint action of four levels:the unity of author and narrator within the texl;cooperation between para-text and archi-texl;from text lo culture,text carries mela--language and context meta-lan-guage together;outside the text,the collusion between the author and the reader.Therefore,a8 a cultural form,"non-fiction"needs to returm to the diserimination of the formal characteristies of the lext,so that the role of the subject and culture outside the text can be clarified.
作者
陈文斌
CHEN Wenbin(Shool of Foreign Languages,Unirersity of Elecronie Seiernce and Technology of Chin,Chengdu.Sichuan 611731)
出处
《中国文学研究》
北大核心
2023年第4期9-16,共8页
Research of Chinese Literature
基金
国家社会科学基金重大项目“当代艺术提出的重要美学问题研究”(20&ZD049)
中央高校基本科研业务费资助项目“‘真实’意义的符号美学研究”(Y030232059002035)。
关键词
非虚构
符号学
叙述策略
文本形式
non-fiction
semiotics
narrative strategy
text form