“地方性”写作的多种面向:新世纪湖南诗人片论

Varieties of“Regional” Writing:A Study on Hunan Poets in the New Century

新世纪以来新诗写作甚为繁盛,但仍难免读者对其现实性、诗意不足的指责。“地方主义”诗歌运动,有力地回应了这一问题。代表性诗人为湖南的谭克修、路云和草树,三人的出发点比较一致:诗的“地方性”强调生活不在别处,具有真实经验的生活地域或文化空间才是文学世界的展开之处。城市规划设计师出身的谭克修,是运动的发起人,其写作主要面向“城市叙事”。路云则是面向湖湘文化在当代处境中如何延续屈骚传统?而草树对问题的思虑是哲学化的“:地方”甚至不是资源与方法,而是写作的本源、本体,生活世界、人与语言三者无法分割。另外,李不嫁、刘年诗歌的“地方性”,是一种底层民众的生存状态,二人的作品已成为口语化新诗的标杆。

Since the beginning of the new century, there hus been a flourishing of new poetry writing. However, it is still facedwith crilicism for its perceived lack of realism and poetice qualities. The regionalism poem movement provides a strong response tothese concermns. Three representaive poets named Tan Kexiu. Lu Yun and Cao Shu in Hunan claim that while the regional peculiari-ly of the poems reveals that life is not experienced in other places, and literary world should unfold in regions or culural spacesthat have real-life experiences. Tan Kexiu, whose job was an urban planning designer, is the initiator, and his“regional”poetry re-volves around "urban potry". Lu Yun's writing is deeply rooted in the culural heritage of Hunan, drawing resourees from eulturaltraditions and conceming how to inherit the tradition of Qu Yuan's literary writing. Cao Shu' s recognition of reality is ontological asplace is not considered merely as methods or resources but a ontology of writing. Life world, man and language become interonneet-ed. Additionally, the “regional” writing of Li Bujia and Liu Nian represents the survival stale of the lower class. and their workshave become benchmarks for colloquial and contemporary poetry.