摘要
残雪在各个时期的小说创作中,建构了以“湖区”为中心无限绵延至一切水域的水乡地理空间,形成了“残雪式”的“湖区”小说风格。与其他作家的同类题材作品相比,残雪对“湖区”的书写,不在于对社会历史现实的史诗般描述与呈现,而是侧重展示水下的故事,注重水域空间里人的精神状态,“湖区”的风景是精神漫游的风景“,湖区”的人物在进行自由的精神运动“,湖区”是消失了一切界限的模糊的时空体,展现了一个先锋作家书写地理、水域以及其中人物、故事与风景的独特方式,在河流文学发展史上别具一格,值得关注。
In various periods of novel creation,Can Xue constructed the geographical space of water town with the Lake area as the center and extending infinitely to all waters,forming the Can Xue style novel of Lake area.Compared with other writers works on similar subjects,Can Xue's writing of the Lake area does not lie in the epic description and presentation of social and historical reality,but focuses on displaying underwater stories and paying attention to people's mental state in the water space.The scenery of the Lake area is a landscape of spiritual roaming,the characters of the Lake area are carrying out free spiritual movement,the Lake area is a fuzzy space-time body of which all boundaries have disappeared.It shows the unique way of a pioneer writer to write geography,waters,characters,stories and scenery,which is also unique in the development history of river literature and worthy of attention.
作者
蒋林欣
JIANG Linxin(School of Literature,Journalism and Communication,XihuaUniversity,Chengdu,Sichuan 610039)
出处
《中国文学研究》
CSSCI
北大核心
2023年第4期207-214,共8页
Research of Chinese Literature
基金
教育部人文社会科学研究项目“长江流域开埠文化与现代文学发生研究”(19XJC751004)。
关键词
残雪
“湖区”小说
精神游荡
Can Xue
“lake area”novels
spiritual wandering