花过无影:世纪末大潮中的都市丽人--文静然小说女性形象论

The Flowers Faded without a Shadow or Sound:“City Beauty”in the End of the Century--The Female Images in w en Jingran'S Novels

湖南当代女作家文静然小说以20世纪八九十年代改革大潮为背景,探索知识女性的青春、理想、事业和爱情。世纪末“都市丽人”是文静然小说塑造的最典型的女性形象。80年代的文学热赋予女大学生对精神的浪漫追求,90年代的下海大潮展现都市丽人的异乡梦想和奋斗历程,身体意识的觉醒彰显女性独立的姿态,身体功能的异化、身体消费的欢愉和悲悯传达出现代女性生存的复杂境遇,身心分离、身体物化、爱情的幻觉与破灭折射出当代女性的情感扭曲和精神困境。

Wen Jingran,a contemporary female writer from Hunan Province,explores the youth,ideals,career and love of fe-male itlleuialsl in her novels,which are set against the background of the reform tide in the 1980s and 1990s."City beauty"in the End of the Century is the most typical female image shaped in Wen Jingran's novels.The literature craze in the 1980s gave fe male college students a romantie pursuit of spirit,and the tide of going to business in the 1990s showed the eity beauties’dream of foreign land and struggles.The awakening of body consciousness reveals females’independent posture,the alienation of body func-tion,the joy and compassion of body consumption,conveying the complex situation that modem females are faced with,while the separation of body and mind,the obijectification of body,the ilusion and collapse of love rellect the emotional distortion and spiritu-al dilemma of contemporary females.