摘要
艺术与美学的关系一直是人们探讨的对象,而在中国学术背景下,产生了“文艺美学”“艺术美学”等相关概念,很多专家学者对“文艺美学”“艺术美学”等相关概念进行了探讨,其观点和判断不尽相同,这也体现出此类概念的模糊性与含混性。通过对“艺术美学”从术语提出到学科定位的过程进行梳理,可以总结“艺术美学”概念的内涵、特点及发展状况,更好地理解艺术美学的话语体系与学科建构,并通过跨文化视野发现艺术美学研究的新趋势。
The relationship between art and aesthetics has always been an object of discussion,and in the context of Chinese academic research,related concepts such as“literary aesthetics”and“artistic aesthetics”have emerged and been explored by many researchers with different viewpoints and judgments,which also reflects the ambiguity of such concepts.By sorting out the process of“artistic aesthetics”from terminology to disciplinary positioning,this paper aims to summarize the connotation,characteristics,and development status of the concept of“artistic aesthetics”,so as to better understand the discourse system and disciplinary construction of artistic aesthetics,and further discover new trends in artistic aesthetics research through cross-cultural perspective.
作者
夏钰清
李庆本
XIA Yu-qing;LI Qing-ben(The Master Hongyi and Feng Zikai Research Institute,Hangzhou Normal University,Hangzhou 311121,China)
出处
《美育学刊》
2023年第6期88-95,共8页
Journal of Aesthetic Education
关键词
艺术美学
文艺美学
学科概念
跨文化
artistic aesthetics
literary and artistic aesthetics
disciplinary concept
cross-culture