文学改编电影的三种核心观念

Three Core Concepts of Films Adapted From Literature

改编自文学原著的电影,既有规定故事的禁锢,更有源自图像生成的话语自由。这种禁锢与自由伴随着创作者对电影本体的认识与现实实践的生成路径。无论是对文学的忠实再现,还是对回归电影本体的再解读,抑或对包含文学在内的多种艺术的思想表达与艺术表现的检视与吸纳,学界对改编电影的讨论一直在持续。但所有与之相关的研究与论证大都可纳入三种核心观念的范畴,即模仿、重建与融合,三种理念从不同的维度为文学改编电影建构起了整体性的合理阐释。

The film adapted from literary works not only has constraints of the prescribed story, but also the freedom of discourse derived from image-generation. This constraint and freedom are accompanied by an understanding of the film itself and the generational path of practical practice. Whether it is the faithfulness to the book, a return to the motif of film itself, or the grand examination and absorption of various artistic varieties including literature in terms of ideological expression and artistic expression, there is no effective conclusion yet. However, all the related researches and arguments can mostly be grouped into the category of three core concepts, namely imitation, reconstruction, and integration. These concepts provide a comprehensive and reasonable interpretation of film based on literature from various dimensions.