新世代、新风景——后疫情时代的日本电影产业与创作观察

New Generation, New Landscape: Observations on the Japanese Film Industry and Creativity in the Post-Pandemic Era

日本电影产业在经历了新冠疫情期间跌宕起伏的产业震荡之后开始稳步复苏。其中,漫改系作品引领市场票房,寡头垄断格局依旧显著。新世代导演快速成长,除了滨口龙介、三宅唱等知名导演以外,今泉力哉、松居大悟、二宫健、山户结希等新一代年轻导演也正逐渐走向国际舞台。本时期作品的影像风格,一方面呈现出以暴力电影为代表的“过度”,另一方面展现出以爱情电影为代表的“克制”,风格迥异且题材多样的日本电影正迎来21世纪以来最引人注目的创作风潮。

The Japanese film industry has started its steady recovery after the tumultuous challenges posed by the Covid-19 pandemic. In addition to well-known directors such as Ryusuke Hamaguchi and Sho Miyake, a new generation of youngdirectors such as Rikiya Imaizumi, Daigo Matsui,Ken Ninomiya, and Yuki Yamato are gradually making theirway onto the international stage. Image style of their works of this period show “excess”represented by violent films on the one hand, and “restraint” represented by romantic films on the other. Japanese films, with their wide variety of styles and themes, are experiencing one of the most striking creative trends of the new century.