大轰炸时期重庆影业生态考察(1938—1943)

The Study of Chongqing Film Industry Ecology During the “Big Bombing” Period(1938-1943)

“重庆大轰炸”以极端的方式彻底重塑了战时陪都的电影产业生态。制片方面,“中制”与“中电”在濒临停产的情况下及时转变制片方针,满足了抗战宣传的需要;发行方面,战时重庆地区的电影发行呈现出高度集约化的垄断局面;放映方面,形成了以冬春雾季为放映高峰期的季节性放映景观,放映市场也被迫淘换重组。战时重庆影业的反轰炸运动不仅有力地助推当地影业生态的复苏,同时也为中国抗日战争和世界反法西斯战争的胜利做出了不可磨灭的贡献。

The “Chongqing Big Bombing” completely reshaped the film industry ecology of the wartime capital in an extreme way. In filmmaking,two film studios changed their production plan, in order to meet the propaganda needs during wartime. In film distribution, it showed a highly intensive monopoly situation in Chongqing during wartime. In film screening, a seasonal-screening phenomenon occurs during the winter-spring fog season, and the screening market was forced to restructure. The anti-bombing campaign of Chongqing film during wartime not only effectively promoted the recovery of Chongqing film industry, but also made indelible contributions to the victory of the Chinese People's War of Resistance against Japanese Aggression and the World Anti-Fascist War.