倾覆与包容:短视频的审丑复归

Subversion and Inclusivity:The Reemergence of Ugliness in Short Video Aesthetics

在审美关系中,“丑”具有相对性,其依附于特定的时代背景及社会文化。当下短视频的“审丑文化”与传统意义的精英姿态逐渐剥离,具有后现代主义特征,强调视觉刺激及身体展演。具体表现出社会批判、解构常规等特点,一方面为社会大众提供了反思的入口,另一方面为个体的自我实现提供了契机。对短视频“审丑文化”的研究有利于重新寻回“丑”的价值,在保持道德和伦理觉察的同时,更辩证地看待审丑文化,将助推民主交流及社会对话,促进树立主流价值观的正确导向。

In the context of aesthetic relations,"ugliness"is a relative concept that depends on specific historical and socio-cultural backgrounds.The current"culture of ugliness"in short videos,detaching from the traditional elite attitude,exhibits postmodern characteristics with emphasis on visual stimulation and bodily performance,which manifests social criticism,deconstruction of norms,and other traits.For one thing,it provides an entry point for societal reflection for the general public.For another,it offers opportunities for individual self-realization.Studying the"culture of ugliness"in short videos is beneficial for reevaluating the value of"ugliness"and,while maintaining moral and ethical awareness,it should be treated from a more dialectical perspective.This approach can contribute to promoting democratic communication and societal dialogue,as well as guiding mainstream values in the right direction.