摘要
在过去几十年中,艺术史逐渐演变成为一门多元综合的学科。现象学为这一学科提供了一种新的视角,强调了在艺术品分析中人的“身体”和“感知”的关键作用。本文旨在从“艺术家和作品”这一角度,“艺术家的感知与作品”以及“艺术家的颜色感知与作品的表现”两方面探讨现象学方法对艺术阐释的重要影响。
In the past few decades,art history has gradually evolved into a multi-faceted and comprehensive discipline.Phenomenology provides a new perspective for the discipline,emphasizing the crucial role of the human"body"and"perception"in the analysis of artworks.The purpose of this paper is to explore the important influence of phenomenological methods on art interpretation from the perspectives of"artists and works","artists'perceptions and works",and"artists'color perceptions and expressions of works".
作者
胡雨润
Hu Yurun(Edinburgh College of Art)
出处
《色彩》
2023年第10期64-66,共3页
Fashion Color
关键词
艺术史
身体美学
现象学
梅洛•庞蒂
Art history
body aesthetics
phenomenology
Merleau-Ponty