摘要
随着对《艺术视知觉》的研究深入,笔者对于色彩与线条的认识也逐渐加深。本文将从西方绘画中色彩与线条的发展历程讲起,以后印象画派为例,论述色彩与线条的形式语言如何重新得到重视,并从梵高、高更、塞尚三位代表画家的角度,分别分析他们画面中色彩与线条的不同特点,以及后世对色彩与线条更加深入的探索。
With the in-depth study of Artistic Visual Perception,the author's understanding of color and line has gradually deepened.This paper will start from the development of color and line in Western painting,take the Post-Impressionism School as an example,discuss how the formal language of color and line has regained importance,and analyze the different characteristics of color and line in the paintings of Van Gogh,Gauguin,and Cézanne from the point of view of the three representative painters as well as the more in-depth explorations of color and line in the later generations.
作者
沈娟
Shen Juan(Academy of Fine Art&Design,Northwest Normal University)
出处
《色彩》
2023年第10期86-88,共3页
Fashion Color
关键词
后印象派
色彩
线条
Post-Impressionism
color
line