古代戏曲中女性思想的伦理观初探——以南戏《杀狗记》中杨月真为例

A Tentative Study on the Ethics of Feminine Thought in Ancient Dramas--Yang Yuezhen in the Southern Opera Killing Dogs as an Example

封建社会家庭制度实际上是以血缘关系为依托的不平等制度,在封建家庭中大家长的权威是至高无上的。南戏《杀狗记》中的杨月真深受封建礼教影响,虽是典型的封建家庭妇女,但也拥有睿智的头脑与独立思考的能力,杨月真除了对夫权顺从之外,也有一些自我独立意识与对夫权的反抗。通过对杨月真人物形象的分析,可窥见封建礼教下女性对封建伦理既服从又反抗的矛盾心理。这一角色也体现了在当时社会环境下女性面对社会、家庭、封建道德伦理的一个矛盾的心理状态,体现出的独立与反抗意识是封建社会女性思想进步的表现。

The family system in feudal society is actually an unequal system based on kinship,and the authority of the patriarch in feudal families is supreme.As a typical feudal housewife deeply influenced by feudal ethics,Yang Yuezhen in the Southern Opera Killing Dogs presented a wise mind and independent thinking ability.Yang Yuezhen also presented some self-independence consciousness and resistance to her husband’s power in addition to her obedience.This study analyzes Yang Yuezhen’s character image to reflect the female ambivalence of obedience and resistance to feudal ethics,which reflects the contradictory psychological state of women in the face of society,family and feudal ethics in the feudal social environment.And the sense of independence and resistance also manifests the progress of women’s thoughts in feudal society.