摘要
科幻电影中的赛博格作为一种后人类形象,其类型演变在一定程度上展现了后人类主义思想的发展。依据罗西·布拉伊多蒂所区分的三种后人类思想,科幻电影中的赛博格可划分为超人类赛博格、类人类赛博格和后人类赛博格三种类型。无器官身体的概念与赛博格所蕴含的三种后人类主义思想暗合,是分析赛博格电影中后人类主义思想发展的理想工具。通过对无器官身体的赛博格以不同形态出现的分析研究,可以看到后人类主义科幻电影对人类中心主义局限的突破与发展。
As a posthuman image,the evolution of cyborg in sci-fi films shows the development of posthumanism to some extent.According to the three types of posthumanism identified by Rosie Braaidotti,the cyborgs in sci-fi films can be divided into three types:superhuman cyborgs,humanlike cyborgs and posthuman cyborgs.The concept of body with organs coincides with the three posthumanism ideas embodied in cyborg,an ideal tool to analyze the development of posthumanism in cyborg films.Through the analysis and study of the different forms of cyborg as body without organs,we may realize the breakthrough and development of the limitation of anthropocentrism in the posthumanism sci-fi films.
