摘要
国产“青年向”动画电影代言青年亚文化,是将现代主体追求精神独立与寻求传统文化身份认同结合起来,形成如下特性:反抗叙事与成长叙事彼此交织,空间生产兼具空间政治的解构性和空间美学的建构性,青年英雄在其中行动而呈现出三种身体动势,即向前“奔”、向四周“游”、向上“立”。此中,传统文化、现代主体精神、后人类意识等三者共生,既彰显了人本主义的个体化向度,同时也敞开了后人类中心的解个体化向度,这为动画电影探寻中国式现代化之路提供了独特的生动实践。
Youth-oriented Chinese animated films stands for the subculture of the youth,which integrates the pursuit of independence and the pursuit of traditional cultural identity of the modern subject,thus forming the following landscape:resistance narrative is interwoven with growth narrative,the spatial production has both the deconstruction of spatial politics and the constructiveness of spatial aesthetics,in which the young heroes show three kinds of body postures:"running"forward,"excursing"around and"standing"upward.In this case,the symbiosis of traditional culture,modern spirit and post-humanist consciousness not only reveals the individualized dimension of humanism,but also opens the de-individualization dimension of postanthropocentrism,which provides a unique and vivid practice for Chinese animated films to explore the road of Chinese modernization.
作者
邹波
屈立丰
ZOU Bo;QU Lifeng
基金
2019年度国家社会科学基金重大项目“新时代中国动画学派的重建与民族文化传播研究”的阶段性研究成果(项目批准号19ZDA333)。
关键词
国产动画电影
空间建构
身体符号
中国式现代化
Chinese animated films
spatial construction
body symbol
Chinese modernization
