节奏的三重向度:形式、经验与内在性

Three Perspectives of Rhythm:Form,Experience and Immanence

作为一个具体的概念,“节奏”一直活跃于西方学者对文本形式、审美经验、身体状况、时空观念、日常生活、生产技术等对象的研究中,从中可以发掘出节奏概念的三重向度:形式、经验与内在性。节奏的形式向度呈现出节奏的形式要素、秩序构成与表现效果;节奏的经验向度体现出节奏如何塑造或影响了我们的身体知觉、时间体验和生活方式;节奏的内在性揭示出节奏本身的生成机制、内在动力和生命力量。三重不同的向度勾画出节奏的丰富形象,节奏概念兼具原始性和当代性,在节奏充满差异和强度的生成之中,我们可以重新发现身体、感知艺术和创造生活。

As a concrete concept,rhythm has always been important in the Western scholars'research of text form,aesthetic experience,physical condition,space-time concept,daily life,production technology and other objects.From this we can summarize the three dimensions of the concept of rhythm:the form,the experience and the immanence.The formal dimension of rhythm shows the formal elements,the structure of order and the expressive effect of rhythm.The experiential dimension of rhythm shows how rhythm shapes or affects our physical perception,time experience and lifestyle.The immanence of rhythm reveals the generative mechanism,inner motivation and life force of rhythm itself.The three different dimensions outline the image of rhythm.The concept of rhythm is both original and contemporary,in the becoming of rhythm full of difference and intensity,we can rediscover the body,understand art and create life.