摘要
“美”作为服装外化形貌的第一语言,是人对服装应用和精神追求的重要体现。当下,服装之“美”不再因循守旧、墨守成规,而是走向对自由、新潮、个性等多元语性的追求,如何创新服装之美成为当下服装设计的重要命题。版画以特殊的艺术语言和人文思想,借助平、凹、凸、漏的物性原理,创造出与时代相符且独具精神情韵的艺术图案,以创新、融构服装之美,并以东方传统的理论之基营建图案美学的东方话语,让服装成为演绎民族风尚的物质载体和必然之趋。
“Beauty”is the primary expression of a garment,and carries the human pursuit of its application and spiritual meaning.At the moment,instead of being pursued by the rulebook or established practice,the“beau⁃ty”of garments has been manifested on multiple levels,including freedom,fashion,and personality.In this re⁃gard,how to innovate such“beauty”becomes highly relevant today.Print language embodies specific artistry and humanity.With the four printing ways of planographic printing,intaglio printing,relief printing,and screen printing,it can create artistic designs that hold the zeitgeist and unique spiritual charm,so as to innovate and in⁃tegrate such“beauty”.Furthermore,it can help form the oriental discourse of pattern aesthetics on the basis of oriental theories.All this can allow garments to convey and lead the national charm and style.
作者
姜建勋
JIANG Jianxun(School of Visual Communication Design,Shandong University of Art&Design,Jinan 250300,China)
出处
《印染》
CAS
北大核心
2023年第12期87-89,共3页
China Dyeing and Finishing
基金
山东工艺美术学院校级教改重点课题《基于传统造物思想的视觉传达设计专业基础课程体系研究》(2020Z01)。
关键词
版画语言
服装设计
融构新生
print language
fashion design
integration and renewal