还原和参与并存:中国历史文化数字艺术展的创新与设计研究

Restoration and Participation:Innovation and Design of Chinese Historical and Cultural Digital Art Exhibition

从还原和参与的视角,对以中国历史文化为创作蓝本的数字艺术展进行综述。在系统性梳理中国历史文化数字艺术展的基础上,首先分析数字技术对历史文化还原的呈现特征和结构;其次剖析了数字化营造过程中参与式设计方式和应用;最后结合数字还原、沉浸参与、媒介延伸等三个鲜明特点,探索数字艺术优势对转译中国历史文化的方向所在。基于数物共生、虚拟现实、人工智能修复、人-机共同创作这四类还原方式和建立全境交互、个性化定制两个参与途径建构模型,并归纳其蕴含的设计思路和技术策略。通过对各类历史文化数字艺术展的多维度分析,展望“人-物-数据”之间未来的多元发展和跨界方向,开拓数字技术与历史文化艺术融合的发展空间。

The work aims to summarize the digital art exhibition based on Chinese history and culture from the perspective of restoration and participation.On the basis of systematically combing the digital art exhibition of Chinese history and culture,the characteristics and structure of digital technology in the restoration of history and culture are firstly analyzed.Secondly,the participatory design method and application in the process of digital construction are expounded.Finally,combined with the three distinctive characteristics of digital restoration,immersive participation and media extension,the direction of digital art advantages in the translation of Chinese history and culture is explored.Based on the four types of restoration methods of digital symbiosis,virtual reality,artificial intelligence restoration,and human-machine co-creation,and the establishment of two participatory approaches of global interaction and personalized customization,the construction model is constructed,and the design ideas and technical strategies contained therein are summarized.Through the multi-dimensional analysis of various historical and cultural digital art exhibitions,the future diversified development and cross-border direction between"people-things-data"are prospected,and the development space for the integration of digital technology and historical culture and art is opened up.