屈原与拜伦:晚清革命诗声的情感底色

Qu Yuan and Byron:the Emotional Background of Revolutionary Poetry in the Late Qing Dynasty

晚清革命诗声的情感基调是“悲”与“壮”的组合与变奏。这一创作现象的形成既是顺应时代需要的结果,也与晚清革命志士有意整合中西文学资源存在密切关系。其中尤以屈原与拜伦精神及其诗风的融合具有典型性,前者的伤心故国、矢志不渝与后者的忧郁气质、仗剑去国,与晚清革命志士自我形象塑造与情感抒发的现实需要深度契合,因而受到了他们的特别重视,并在创作实践中予以重塑与贯通,不仅唱出了时代的独特心声,也为中国古典诗歌的近代嬗变提供了强大的动力。对这一创作现象及其成因的梳理与分析,有助于深入探索与揭示近代“诗界革命”发生与发展的内在逻辑。

The emotional tone of revolutionary poetry in the late Qing Dynasty is a combination and variation of“sadness”and“strength”.The formation of this creative phenomenon is not only a result of meeting the needs of the times,but also closely related to the intention of late Qing revolutionaries to integrate Chinese and Western literary resources.Among them,the fusion of the spirit and poetic style of Qu Yuan and Byron is particularly typical.The former’s heartbroken homeland,unwavering determination,and the latter’s melancholic temperament,wielding a sword to go abroad,are deeply in line with the practical needs of self-image shaping and emotional expression of revolutionaries in the late Qing Dynasty.Therefore,Qu Yuan and Byron have received special attention from them,and have been reshaped and integrated in their creative practice.So,they not only sang the unique voice of the times,but also provided strong impetus and important cases worth learning for the modern evolution of Chinese classical poetry.The sorting and analysis of this creative phenomenon and its causes will help to deeply explore and reveal the internal logic behind the occurrence and development of the modern“poetic revolution”.