以声为媒:声音传播中的社会记忆与文化认同——以纪录片《唱片里的中国》为例

Using Sound as a Medium:Social Memory and Cultural Identity in Sound Communication:A Case Study of the Documentary China in Records

作为国内电视屏幕上少有的音乐人文纪录片,《唱片里的中国》对“唱片”进行了媒介考古,并创新性地用视听语言再现了唱片音乐中的时代风貌和声音景观。该片融合了人物故事讲述、音乐现场演出、留声机、唱片媒介史等多种元素,在展现“唱片”这一声音媒介的物质性和传承唱片声音文化所蕴涵的社会记忆以及传播“听觉共同体”认同方面具有创新性。《唱片里的中国》的创新性在于不仅为音乐文化研究增添了史料,而且还展现了百余年来中国社会的文化变迁,以及唱片声音背后国人的社会记忆和文化认同。

As a unique humanistic music documentary on domestic television screens,China in Records has conducted media archaeology on"records"and innovatively reproduced the era style and sound landscape in record music with audio-visual language.The video integrates various elements such as character storytelling,live music performances,phonographs,and the history of recording media.It is innovative in showcasing the materiality of the sound medium"record",inheriting the social memory contained in the sound culture of the record,and spreading the identity of the"auditory community".The innovation of China in Records lies not only in its addition of historical materials to the study of music culture,but also in its display of cultural changes in Chinese society over the past century,as well as the social memory and cultural identity of the Chinese people behind the sound of the record.