摘要
《深林的月夜》是成仿吾创作序列中表现主义色彩最浓重的一篇。小说文辞优美,却情节怪诞,犹如一座叙事迷宫,隐藏着成仿吾对“五四运动”的反思和对文学与革命间关系的思考,反映出他文学转向的复杂历程。从艺术偏至向政治偏至的文学观念转型既是成仿吾在时代背景与个人际遇双重因素影响下的必然选择,也是怀揣报国理想的创造社同人的共同选择。
“Moon Night in the Deep Forest”is the most expressionist part of Cheng Fangwu’s novel creation sequence.The novel is beautifully written but grotesque,like a narrative labyrinth,hiding Cheng Fangwu’s reflections on the May Fourth Movement and the relationship between literature and revolution,reflecting the complex process of his literary turn.The transformation of literary concepts from artistic bias to political bias is not only an inevitable choice for Cheng Fangwu under the influence of the dual factors of the background of the times and personal circumstances,but also the common choice of the Society of Creation and people who cherish the ideal of serving the country.
作者
李文浩
陈嘉轩
Li Wenhao;Chen Jiaxuan(Hunan University of Science and Technology,Xiangtan,411201)
出处
《语言与文化研究》
2023年第6期158-160,共3页
Language and Culture Research
基金
湖南省教育厅优秀青年项目“《创造月刊》与创造社转型的互动关系研究(1926-1929)(项目编号:20B232)”
2020年湖南省线下一流本科课程“中国现当代文学(1)”(湘教通[2020]322号,序号153)的阶段性成果。
关键词
成仿吾
《深林的月夜》
表现主义
文学转向
革命文学
Cheng Fangwu
Moon Night in the Deep Forest
Expressionism
Literary turn
Revolutionary literature