摘要
文章以电影《大护法》中的角色设计为研究对象,以德里达的解构主义对其创作手法进行分析,从角色的反模型化的形象塑造到中式山水画与西方暴力美学的融合,更深入地挖掘这部动画影片的独特魅力,并认为解构主义的思想用在动画的创新发展上同样具有启示作用。
The article takes the character design in the movie DAHUFA as the research object,analyzes Derrida’s deconstructionism in his creative techniques,and explores the unique charmof this animated film,fromthe anti-modeling image shaping of characters to the integration of Chinese landscape painting and Western violent aesthetics.It also believes that the use of deconstructionism in the inno-vative development of animation has enlightening effects.
作者
张策
ZHANG Ce(Anhui Sanlian University,HeFei 230000,China)
出处
《遵义师范学院学报》
2023年第6期158-161,共4页
Journal of Zunyi Normal University
基金
安徽省质量工程教学研究项目“基于协同机制下的数字艺术人才培养模式创新研究”(2020jyxm0555)。
