传统界画图式在陶瓷釉下彩中的应用研究

Research on the Application of Traditional Boundary Drawing Patterns in Underglaze Colored Porcelain

传统界画图式多为建筑,其在山水画创作中可以成为画面的主体、亦可作为山川中的点缀,规整素雅的线条搭配灵动的自然景致可以升华画面审美基调,而界画图式在釉下五彩瓷上的呈现方法更是值得我们深入研究的课题。本文将基于界画图式在瓷面绘画上的应用历史,结合笔者的创作实践经验,以醴陵釉下五彩瓷为例,对传统界画图式在釉下彩瓷应用中的创作要领、技法难点、创新路径进行探讨。

Most of the boundary drawing patterns are buildings,which can be not only the main body of the picture but also the embellishment of the mountains and rivers in the landscape painting.Regular and elegant lines with smart natural scenery can sublimate the aesthetic tone of the picture,and the presentation of the boundary drawing patterns on the underglaze five-colored porcelain is a subject worthy of further study.Based on the history of the application of boundary drawing patterns in porcelain painting,combined with the author's creative practice experience,this paper takes underglaze five-colored porcelain in Liling area as an example to discuss the creative essentials,technical difficulties and innovative paths of traditional boundary drawing patterns in the application of underglaze colored porcelain.