13-14世纪波斯陶器装饰艺术的中国风研究

A Study of Chinoiserie in the Decorative Art of Persian Pottery in the 13th and 14th Centuries

13世纪早期蒙古帝国的快速扩张使得商品和文化的远距离传播与交流成为可能,元代中国和伊利汗国之间的密切政治文化关系为两地区在工艺技术、设计审美方面的交流提供了强有力保障。象征波斯蒙古政权的塔赫特·苏莱曼宫保留大量中国与波斯文化艺术交流的痕迹,使得这一时期的很多装饰图像具有跨文化艺术史研究价值。中国与波斯的设计艺术在此时期得以融合,中国纹饰在波斯经历了挪用、改造与再生产,形成全新的装饰艺术风格。本文通过对13-14世纪中国与蒙古波斯政权——伊利汗国两地区出土陶瓷文物的图像进行系统梳理,分析蒙古帝国时期波斯地区陶器装饰艺术所展现的中国风现象,展现中国装饰风格与图像向西亚的传播与演化之历程。

The rapid expansion of the Mongol Empire in the early 13th century made it possible to spread and exchange goods and culture over a long distance.The close political and cultural relationship between the Mongolian Yuan Empire and the Yili Khanate provided a strong guarantee for the exchange of technology and design aesthetics between the two regions.The Taht Suleiman Palace,which symbolizes the Mongolian regime in Persia,retains a large number of traces of cultural and artistic exchanges between China and Persia,making many decorative images of this period valuable for cross-cultural artistic history research.The design art of China and Persia was integrated during this period,and Chinese decorative patterns underwent appropriation,transformation,and reproduction in Persia.This paper systematically combs the images of ceramic cultural relics unearthed in the two regions of the Mongol Yuan China and the Mongol Persian regime-Ilkhanate in the 13th and 14th centuries,analyzes the Chinoiserie phenomenon displayed by the pottery decorative art in the Persian region during the Mongol Empire,and confirms the spread and evolution of Chinese decorative techniques and images to Western Asia.