摘要
在构建中国特色哲学社会科学和坚守中华文化立场语境下,将“中国特色西方音乐史研究方向”作为艺术学博士培养的有机组成部分,是具有意义的。据此围绕以学术自主为着力点,以加强学生的思维观念引导、增强研究者的“主体性”“原创性”为目标,展开特色课程设置、学位论文选题写作等方面的探索与尝试,则是促进中国特色西方音乐史学科发展与人才队伍建设的具体举措。在致力西方音乐史研究中国化的过程中,逐渐形成中国特色西方音乐史研究人才培养的新机制。
In the context of constructing a philosophical and social science system with Chinese characteristics and adhering to the position of Chinese culture,it is meaningful to take the“research direction of Western music history with Chinese characteristics”as an integral part of the training of doctoral students in art study.Accordingly,focusing on academic autonomy,strengthening the guidance of students’thinking concepts,and enhancing the“subjectivity”and“originality”of researchers,the exploration and attempt to set up characteristic courses and select topics for dissertations is a specific measure to promote the development of the discipline of Western music history with Chinese characteristics as well as the construction of talent teams.
出处
《音乐艺术(上海音乐学院学报)》
北大核心
2023年第3期171-183,共13页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
2022年度国家社科基金后期资助艺术学项目“西方音乐研究的中国视野与中国音乐研究的他者之镜”之“西方音乐研究的中国视野与教改自觉”阶段性成果,项目批准号:22FYSB001。