万玛才旦小说《塔洛》的跨媒介改编与“文本旅行”

Cross-media Adaption of Pema Tseden's Novel Tharlo and the Textual Travel

万玛才旦小说《塔洛》讲述主人公的孤独状态和身份迷失。小说改编成电影后,因其独特的美学风格,在评论界掀起了一股热潮。导演保留了原作的故事主线,在此基础上采取了减少出场人物,新增牧场生活,突出表现方式等改编策略,强化了主人公的孤独状态。尤其在藏地,实现了多媒介艺术形式的融合,出现了音乐、话剧等多种跨媒介文本。这些形式多样的多媒体呈现和话题的多角度讨论带来了流量发酵,为电影的传播制造了新的增长点。但是,大部分作品都存在着内容的同质和形式上的雷同,对于具有张力的“故事世界”的建构,未能起到可观的作用。

Pema Tseden's novel Tharlo demonstrates the solitary state and the identity loss of the protagonist.Due to its unique aesthetic style,the novel has set off a wave in the critics after being adapted into a movie.Based on the storyline in the original work,Pema Tseden has introduced several adaptation strategies,such as reducing the characters,adding new scenes of pastoral lives,and emphasizing expression modes thathighlight the solitary state of the protagonist.Attributes to the integration of multi-medium artistic forms,multiple cross-media texts have appeared in many places,especially in Tibetan areas.These various multimedia presentations and the multiangle discussions on related topics have boosted the data traffic,bringing new growth points for the movie's further dissemination.However,as homogeneous in contents and echoing in patterns,most unique and subsequent worksare not remarkable in constructing a tension-filled"story world."