期刊文献+

室内乐《三趣——为单簧管、长号、大提琴和钢琴而作》创作技法解析

Analysis of the Creative Techniques for Chamber Music"Three Good Destinies——For Clarinet,Trombone,Violin,Cello and Piano"
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摘要 20世纪以来,作曲家追求用新的方式结构、改造、整理音乐材料并提出了许多原则和方法,“共性写作”时期规则的打破大大扩展了作曲技术的边界。因此,新时期作曲家们的创作更注重作品内在的逻辑性与哲理性。而作为一名作曲者,则应把握国内外动向,在紧跟时代前沿的同时努力形成自己的创作理念与风格。 Since the 20th century,composers have pursued the formation,transformation,and organization of music materials in new ways and have proposed many principles and methods.The breakthrough of rules during the period of"multi-composition"significantly expanded the boundaries of composition technology.Therefore,composers in the new era pay more attention to the inherent logic and philosophy of their works.As a composer,one should grasp the trends both domestically and internationally to develop one's own creative concept and style while keeping up with the forefront of the times.
作者 董云峰 Dong Yunfeng
出处 《西藏艺术研究》 2023年第3期56-64,共9页 Tibetan Art Studies
关键词 现代音乐 传统音乐 音乐素材 Modern Music Traditional Music Musical Material Analysis
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二级参考文献1

  • 1萨班·贡噶峰赞:《沦音乐》(藏文)[M],北京:民族出版社,1988年.

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