论南京城市文学地标的“第三空间”激活

On the“Third Space”Activation of Nanjing Urban Literary Landmark

城市文学地标是凝结特定文学经验的标识性地域景观,它们作为典范的人文意象同构着城市集体文化经验。长期以来,文学地标被架构为“空间+文学”的知识论二元模式,其内容建设忽视了对文学事件的生动关注。以城市建构为本位,文学地标应被视为异质文学经验在地理空间内的堆叠着的状态本身,即爱德华·索亚所提出的超越并融合了单一物质或想象维度的“第三空间”。作为兼容统驭着文本经验与空间在场的形式,碑铭、书法等文学书像呈现着地标生成史中的关键文学史经验,是“第三空间”激活的契机所在。

Urban literary landmarks are marked regional landscapes that condense specific literary experience,and their exemplary humanistic images are the same structure of urban collective cultural experience.For a long time,literary landmarks have been framed as an epistemological dual model of"space+literature",and their content construction has ignored the attention to lively literary events.Based on urban construction,literary landmarks should be regarded as the stacking state of heterogeneous literary experience in geographical space itself,that is,the "third space"proposed by Edward Sawyer,which transcends and integrates a single material or imaginary dimension.As a form of compatible control of text experience and spatial presence,inscriptions,calligraphy and other literary images present the key literary history experience in the history of landmark generation,which is the opportunity for the activation of"third space"