论陈梦家新诗创作的突围和终止

On the Breakthrough and Termination of Chen Mengjia's New Poetry Creation

现代文学史上作家转型为职业学者的事例并非罕见,陈梦家则是其中相对决绝的一位。从新月派后期健将到古文字学、古史学大家,陈梦家的转向不是贸然之举,而是早有端倪。在国事日蹙、昔日诗友风流云散的三十年代诗坛,陈梦家深刻思考着新诗的命运走向,在中国古典诗学和西方诗学传统的双重夹击下努力突围,从高唱自我之歌的抒情诗人形象中走出,开始寻找着更具力度的历史意象和民族向度。本文着眼陈梦家的转向始末,通过分析诗人诗学理论及诗歌创作的流变情况,来达到对其创作路径的动态把握,进一步丰富对新诗与古史研究复杂性关系的认知,试窥三十年代新诗发展的一角。

It is not rare for a writer to transform into a professional scholar in the history of modern literature,and Chen Mengjia is one of the more determined.The transformation from the late master of the Crescent School to the master of ancient philology and ancient historiography is not a rash move,but has an early indication.In the poetry circle of the 1930s,when the state affairs fell and the former poet friends scattered,Chen Mengjia thought deeply about the fate of new poetry,and worked hard to break through under the double attack of Chinese classical poetics and Western poetics tradition.He stepped out of the image of lyric and egoistic poets,and began to look for more powerful historical imagery and national direction.This paper focuses on the transformation of Chen Mengjia and knows his creation path through the analysis of the poetics theory and the evolution of his poetry creation,further enriches the understanding of the complex relationship between new poetry and the study of ancient history,and tries to study the development of new poetry in the 1930s.