论陶行知“类格律诗”的创作

On the Composition of Tao Xingzhi's“Classical Metrical Poetry”

陶行知是中国近代伟大的人民教育家,同时也是一位高产的诗人,在五四新文学运动中传统诗词向现代诗歌转型发展期间,陶行知创作了许多不仅借用了传统诗词的形式,又在平仄、用韵等方面不完全符合传统诗词格律的新诗,著者将此类介于传统诗词与现代自由体白话诗之间的新诗,统称为“类格律诗”。文章探讨了陶行知“类格律诗”创作的历史情境,及其在诗歌史上的独特地位和价值。

Tao Xingzhi was a great educator in modern China,and also a prolific poet.During the May Fourth New Literature Movement,traditional poetry was transformed into modern poetry,and Tao created many new poems that not only borrowed the form of traditional poetry,but also did not fully conform to the traditional poetic meter in terms of leveling and rhyming,etc.The author refers to these new poems,which are in-between the traditional poems and the modern free verse,collectively as“metrical-like poems”.The author refers to these new poems,which are in between traditional poetry and modern free-form vernacular poetry,as“metrical poems”.The article discusses the historical situation of Tao Xingzhi s“metre-like poetry”and its unique position and value in the history of poetry.