摘要
《平安小猪》讲述了人类进入“失物之地”与作为物的玩具进行亲密互动的奇幻冒险经历,生动展现了21世纪文学创作在叙事层面的“物转向”风貌,表达了后人类主义的去人类中心理念。作品借助人类与非人类之间的双向互动,揭示了物是如何超出其自身使用价值并获得主体性地位,展开对传统以人为中心思维模式的重新审视。“失物之地”的建构更呈现出物联网系统的特质,揭示作者对人类与非人类之间平等友爱、密切协作世界新格局的美好构想。
The Christmas Pig depicts a fantastic adventure of humans'intimate interaction with toys which are regarded as“things”in the Misland.It vividly represents“The Material Turn”in narrtive studies in the twenty-first century,embodying the de-anthropocentrism concept of posthumanism.With the help of the two-way interaction between humans and non-humans,The Christmas Pig reveals how“things”go beyond their usual value in use and acquire the status of subjectivity,therefore reexamining the traditional anthropocentric logic.The construction of the Misland bears the intrinsic character of the“Internet of Things”and reveals the author's ideal conception of the new world in which humans and non-humans are equal,friendly and closely cooperating with each other.
基金
北京语言大学校级项目(中央高校基本科研业务费专项资金)“当代英国儿童文学的叙事策略与伦理教诲研究”(21YBB07)
北京语言大学2022年度研究生创新基金项目(22CYX148)的部分成果。
