何其芳“新月时期”的唯美诗艺

He Qifang’s Aesthetics on Poetry in the“Crescent School”

何其芳1929年至1931年间的诗歌创作明显模仿新月派,从诗的外在艺术形式到内在精神实质都与新月派诗歌高度相似,可称其创作的“新月时期”。在艺术形式上,其诗歌创作严格遵循闻一多提出的“三美”原则,同时也借鉴了“新月派”独有的“用对称的章节组织、按时间的进展写事物的变化”的行文章法,以及“戏剧性独白”的艺术手法。但这一时期的创作模仿并没有引起学界的足够关注,而这一时期严格的格律训练孕育了他后期成熟的诗歌创作。

He Qifang’s poetry from 1929 to 1931 obviously imitated the Crescent School,because from the external form to the inner spiritual essence,it is highly similar to the Crescent School’s poetry,which can be called the“Crescent School Period”of his literature.In terms of art form,his writing strictly follows the“Three Beauties Principle”proposed by Wen Yiduo,and also draws on the unique writing method from the Crescent School of“using symmetrical chapters and chronological order to organize the development of things”,and the artistic technique of“dramatic monologue”.However,his imitation in this period did not attract much attention from the academic circles,but the strict metric training during this period nurtured his mature poetry writing later on.