摘要
在莫里斯·布朗肖的理论视域中,“主体”在场于对事物的现象性体验却缺席于其对事物本身的把握,这是一种“隐在场”的状态。“隐在场”基于主体对“世界”之支配权利的抽离而实现,这一理论意味着主体在面向存在时自身权利的重置。在此立场中,“死亡”与“文学”对主体展露“垂死”与“孤独”的属性,致使主体临近本源却永远只能徘徊在“外部”。而“他者”于这一过程介入,超越主体。“隐在场”使主体无法经历存在本身,只能进入“他者”来实现本质的真正显现。
In the theoretical horizon of Maurice Blanchot,the“subject”is present in the phenomenological experience of things but absent in its grasp of matter-self,which is a state of“absent presence”.The“absent presence”is realized based on the subject's withdrawal from the dominant right of the“world”.This theory means that the subject resets its own rights when facing existence.In this viewpoint,the“death”and“literature”reveal the attributes of“dying”and“loneliness”to the subject,so that the subject is close to the origin but can only linger the“exterior”forever.Then the“other”intervenes in this process and transcends the subject.The“absent presence”makes the subject unable to experience the existence itself,and can only enter the“other”to realize the true manifestation of essence.
作者
李连杰
吴永鹏
罗文斌
LI Lianjie;WU Yongpeng;LUO Wenbin(College of Literature,Yunnan University,Kunming 650091,China)
出处
《四川职业技术学院学报》
2023年第6期130-136,共7页
Journal of Sichuan Vocational and Technical College
基金
云南大学第十三届研究生科研创新项目(2021Z063)。
关键词
主体
“隐在场”
死亡
文学
他者
subject
“absent presence”
death
literature
other