摘要
舞蹈《唐印》以唐三彩仕女俑为创作载体,对唐代历史文化及审美特征进行提炼,以唐代舞蹈的造型特点、审美风格及中国传统美学中的气韵生动、宣情尽意为创作基调,创造性地再现了唐代少女质朴可爱、充满生机的人物形象以及唐朝雍容瑰丽的盛世景象,体现了舞俑复活后活泼灵动、典雅婉约的动作特点。本文对《唐印》中舞蹈动作以及文化内涵,运用拉班舞谱进行描述与分析,阐释舞蹈动作承载的文化内涵,进而探究中国舞作品身体语言与审美意象之间的关系。
The dance Tang Imprint was inspired by the Tang tri-color maid figurines,through which the historical and aesthetic characteristics in Tang Dynasty were distilled.Emphasizing the modeling characteristics and aesthetic style of Tang Dynasty dance,along with the vitality found in traditional Chinese aesthetics,the piece was designed to fully express emotions and intentions.The simple,lovely and vital images of Tang Dynasty girls,magnificent scenery of the prosperous Tang era were creatively remagined.The elegant and graceful movement characteristics of the figurines,brought back to life through time and space,were embodied in the piece.In this study,the dance movements and cultural connotations in Tang Imprint were described and analyzed by labanotation to expound the cultural connotations conveyed by the dance movements.What’s more,the relationship between body language and aesthetic imagery in Chinese dance works was explored.
作者
张若羽
孟丹娜
Zhang Ruoyu;Meng Danna(Yanshan University)
出处
《中国舞蹈学》
2023年第2期321-333,363,364,共15页
CHOREOLOGY IN CHINA
关键词
守势
聚势
造势
身体美学
The defensive
the gathering
the creating
body aesthetics