摘要
藏传佛教达波噶举派创始人岗波巴大师所著《经典教言之光环》,是一部内涵及其丰富的噶举派经典教言著作,引用了两百多部古印度早期佛教哲学经典教言作为其理论依据,把噶举派大手印思想与噶当派的道次第有机融合在一起,充分体现了佛教哲学本土化和教言挖掘创新精神。此经典在创作方法上既继承了古印度学者用典充裕的著书风格,又不失藏传佛教经典写作特点,可以说,研究《经典教言之光环》,便能知晓中世纪后期吐蕃藏传佛教的哲学思想和人文精神的形成和创新发展,对通识诸多佛学宗义的岗波巴大师对经典的挖掘、整理,使之本土化有了一定的了解。
Bstan-bcos-lung-gi-nyi-’od,written by the founder of the Dags-po-bka-brgyud School of Tibetan Buddhism,Dags-po-lha-rje(Sgam-po-ba),is a classic work that extremely rich in connotation,it cited more than 200 early Buddhist philosophical classics of ancient India as its theoretical basis to has merged the Bka-brgyud School’s Mahamudra philosophy and the Bka-gdams school’s stages of path,thus adequately embodied the spirit of cultural localization and re-creation.In addition,this classic inherited the abundant writing style of ancient Indian scholars,and did not lose the writing characteristics of Tibetan Buddhist classics.It can be said that by studying the Bstan-bcos-lung-gi-nyi-’od,we can know the philosophical thoughts and humanistic spirit of Tibetan Buddhism in the late Middle Ages,and also have a certain understanding of the Sgam-po-ba master who has a good knowledge of many Buddhist doctrines.
作者
公保才让
吉毛措
Mgon-po-tshe-ring;Lcags-mo-mtsho
基金
国家社会科学基金项目“藏文祈愿文整理与研究”的阶段性成果,基金号:21BZJ035。
关键词
《经典教言之光环》
文化内涵
创作风格
Bstan-bcos-lung-gi-nyi-’od
Cultural Connotation
Creation Style