空间生产理论视角下非遗档案文化认同建构探微——以《中国唐卡文化档案》项目为例

Construction of Cultural Identity of Intangible Cultural Heritage Archives from the Perspective of Spatial Production Theory:Taking the Project of Chinese Thangka Cultural Archives as an Example

文章基于列斐伏尔空间生产理论,从空间重绘、传播拓展、叙事转变三个方面透视空间生产之于非遗档案文化认同建构的意义,从空间实践、空间表象、空间再现三个角度探索非遗档案文化认同建构的新契机。此外,通过《中国唐卡文化档案》项目探究空间生产理论在非遗档案文化认同建构中的应用,以期厘清非遗档案文化认同的建构逻辑,为建构更深层次的非遗档案文化认同提供新的思路。

Based on Lefebvre’s theory of spatial production,this paper explores the significance of spatial production in the construction of cultural identity of intangible cultural heritage archives from the perspectives of spatial redrawing,communication expansion and narrative transformation,and explores new opportunities for the construction of cultural identity of intangible cultural heritage archives from three perspectives:spatial practice,spatial image and spatial representation.In addition,through the project of Chinese Thangka Cultural Archives,the application of spatial production theory in the construction of cultural identity of intangible cultural heritage archives is explored,in order to clarify the logic of cultural identity of intangible cultural heritage archives,and promote new ideas for the construction of a deeper level of cultural identity of intangible cultural heritage archives.