摘要
古阳洞交脚弥勒菩萨像的服饰可归为斜披络腋型、帔帛交叉型、璎珞交叉型和璎珞与帔帛复合型。梳理相关案例的营建次序,并与云冈石窟第二期洞窟的相似式样进行比较,可以发现以上四种服饰类型在北魏太和、景明年间并不是呈递进关系,而是并行关系,这成为认知北魏石窟菩萨造像服饰等级秩序发展的重要窗口。
The attire of the crossed-leg Maitreya Bodhisattva statue at Guyang Cave can be classified into four types:the diagonally draped over the shoulders and under the arms type,the draped cloth and crossed scarf type,the crossed necklace and scarf type,and the combined necklace and draped cloth type.By analyzing the construction sequence of relevant cases and comparing them with similar styles in the second phase of the Yungang Grottoes,it can be found that these four types had a logical parallel relationship during the Northern Wei Dynasty's Taihe and Jingming periods,rather than a progressive substitutional relationship.This provides an important window into the development of the hierarchical order of attire in Northern Wei cave Buddha statues.
出处
《创意设计源》
2023年第5期37-43,共7页
Idea & Design
基金
2019年度教育部人文社会科学研究青年基金项目“南北朝菩萨造像的象征意义及其本土化研究”(项目编号:19YJC760062)阶段性研究成果。
关键词
古阳洞
交脚弥勒菩萨像
服饰
等级
Guyang cave
crossed-leg bodhisattva statue
attire
hierarchical order