日本汉学家松浦友久对古乐府、新乐府、歌行表现功能的研究

A Study of Japanese Sinologist Yoshihisa Matsuura’s Research on the Expressive Functions of Ancient Yuefu,New Yuefu,and Gexing

如何廓清乐府、新乐府、歌行之间的关系一直是中国古典诗歌研究的话题之一,日本汉学家松浦友久尝试以“对乐曲的联想、观察视点的第三人称化和场面的客体化、表现意图的未完结化”三大表现功能为基础来考察三者关系。从对乐曲的联想程度来看,乐府高于新乐府,歌行则接近于新乐府;就视点的第三人称化和场面客体化来说,歌行趋于第一人称化和场面的主体化,新乐府则位于乐府与歌行之间;至于表现意图的未完结化,相较于乐府,新乐府和歌行均对表现意图给予了完结化揭示。松浦友久的观点及视角对“诗歌样式与表现功能”话题的探讨有着启发作用。

It has always been one of the topics in the study of Chinese classical poetry how to clarify the relationship between Yuefu,new Yuefu and Gexing.The Japanese sinologist Matsuura Yoshihisa makes an attempt to examine the relationship between the three based on the three major expressive functions of“association of music,third personalization of observation viewpoint,objectification of scene and unfinished expressive intention”.From the perspective of the association degree of music,Yuefu is higher than the new Yuefu,and Gexing is close to the new Yuefu;in terms of the third personalization of the viewpoint and the objectification of the scene,Gexing tends to be the first personalization and the subjectification of the scene,and the new Yuefu lies between the Yuefu and the Gexing;as for the unfinished expressive intention,compared with Yuefu,both the new Yuefu and the Gexing have revealed the completion of the expressive intention.Yoshihisa Matsuura’s views and perspectives have an enlightening effect on the discussion of the topic of“poetry style and expressive function”.